Kazakh national culture and ceremonies as a philosophy of ethnic identity

  • Aigul Kulbekova Kazakh National Academy of Choreography, Nur Sultan, Kazakhstan
  • Seraly Tleubayev M. Auezov South Kazakhstan state university, Shymkent, Kazakhstan
  • Gulmira Bakirova Silkway international university, Shymkent, Kazakhstan
  • Dina Kabdusova Kazakh National Academy of Choreography, Nur Sultan, Kazakhstan
  • Balzhan Tleubayeva M. Auezov South Kazakhstan state university, Shymkent, Kazakhstan
  • Gulnara Mambetova Aktobe regional state University named after Kudaibergen Zhubanov, Aktobe, Kazakhstan
Palabras clave: Traditional, Culture, Kazakh, Dance, Choreography.

Resumen

The purpose of our research is to identify new areas and trends in the development of Kazakh dance through the example of the creative activity of the Kazakh leading choreographic groups. The historical and theoretical analysis of the problem showed that the formation of the Kazakh dance culture was affected by the activities, life, folklore, talent, and imagination of many generations. In conclusion, the dance forms of folk choreography were improved with the course of time and acquired artistic value and completeness with each era.
Publicado
2019-12-29
Cómo citar
Kulbekova, A., Tleubayev, S., Bakirova, G., Kabdusova, D., Tleubayeva, B., & Mambetova, G. (2019). Kazakh national culture and ceremonies as a philosophy of ethnic identity. Opción, 35(90-2), 67-85. Recuperado a partir de https://produccioncientifica.luz.edu.ve/index.php/opcion/article/view/30557
Número
Vol. 35 Núm. 90-2 (2019)
Sección
Artículos